Jan 20th 2021

Now’s the time to rethink your relationship with nature

by Matthew Adams

 

Matthew Adams is Principal Lecturer in Psychology at the University of Brighton

 

The pandemic has allowed many of us to develop a new appreciation of the great outdoors. But of course, this renewed engagement with nature comes at a time when our natural world is facing an unparalleled climate crisis.

I’m a psychologist interested in how people engage with and think about nature, in this precise historical moment when it is unprecedentedly threatened. In my new book Anthropocene Psychology I consider how we live in and with nature and how this poses profound and troubling questions.


Read more: Five must-read novels on the environment and climate crisis


If you’ve never heard of the Anthropocene, here’s a very brief primer. Anthropos is Greek for human and cene refers to a distinctive geological time period. The term is used to convey how, for the first time in history, the Earth is being transformed by one species – homo sapiens.

Though timings are still debated, around 1950 is considered the start date of the Anthropocene, as this is when rapid escalation of various factors began to converge. Factors such as the use of fossil fuels, population growth, tourism and travel, energy use, water usage, plastic waste, industrial agriculture, CO₂ emissions, deforestation, habitat loss and a warming climate.

Conscious of our connections

The idea of the Anthropocene can seem overwhelming and can generate anxiety and fear. It can be hard to see past notions of imminent apocalypse or technological salvation. Both, in a sense, are equally paralysing – requiring us to do nothing.

I consider the Anthropocene as an invitation to think differently about human relationships with nature and other species. Evidence suggests this reorientation is already happening and there are grounds for optimism.

For example, in just the last few years there has been an increasing number of academics in many different fields working on new understandings of how nature is deeply interconnected. Take forest ecologist Susan Simard, who looks at the way in which trees communicate with each other to enhance the health of forest ecosystems, part of a “wood wide web” that can also incorporate other species, including people. Then there’s the philosophers such as Timothy Morton and Donna Haraway both arguing that the Anthropocene provokes us to radically rethink how we perceive and relate to non-human animals and nature more generally.

Alongside these developments are indigenous North American scholars like Zoe Todd and Kim Tallbear renewing older forms of knowledge about the fundamental interconnectedness of humans, other species and landscape for new and receptive audiences. All are pushing at the boundaries of what we know about the entanglement of human and other forms of life.

Novel approaches to our relationship with nature are not limited to academic research. A recent Netflix nature documentary, My Octopus Teacher, is a more mainstream example. It documents a year in the life of filmmaker Craig Foster as he forges a life-changing friendship with an octopus. While Richard Powers’ Pulitzer prize-winning novel The Overstory interweaves multiple human stories with those of trees – shining a light on our connection and reliance upon the natural world.

These efforts are reflected in wider trends like the growth of veganism and animal welfare movements. Along with the push to grant rights to nature and natural entities. And the increasing vocalness of and receptiveness to indigenous knowledge and activism. There’s also been a rise of mutually beneficial animal-assisted therapies and nature-based interventions. All of which represent greater recognition of our entanglement with nonhuman nature.

Time to think differently

Precisely because it is unsustainable, the Anthropocene is likely to be short lived in the context of the planet’s history. And while this might seem scary or depressing at first, it’s a realisation that can invoke feelings of relief or even awe.

Activities like mindfulness or meditation in nature, along with “technology sabbaths” or structured time away from screens can help us begin to redefine our relationship with the natural world. Exercises that encourage us to contemplate deep time can also help us to avoid overwhelm and eco-fatigue.

While practices like this may seem naive or indulgent in the face of environmental crisis, it’s worth remembering that felt experience is essential to the momentum of any movement. And that becoming more conscious of the ways in which humans and nonhumans are inextricably connected is now more vital than ever.

The Anthropocene puts paid to any idea that we can carry on as normal. Indeed, even if all of humanity was wiped out tomorrow, it’s estimated the natural world would take at least five million years to recover. Which is why in the longer term there must be a fundamental reconsideration of how a significant minority of the global population live, get around, feed ourselves and exploit other humans and nonhumans.

 

Matthew Adams, Principal Lecturer in Psychology, University of Brighton

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Oct 7th 2021
EXTRACT: "As the 25th James Bond film No Time to Die hits the cinemas, we are once again reminded of the way that disability is depicted negatively in Hollywood films. The new James Bond film features three villains, all of who have facial disfigurements (Blofeld, Safin and Primo). If you take a closer look at James Bond villains throughout history, the majority have facial disfigurements or physical impairments. This is in sharp contrast to the other characters, including James Bond, who are able-bodied and presented with no physical bodily differences. Indeed, many films still rely on outdated disability tropes, including Star Wars and various Disney classics. Rather than simply being part of a character’s identity, the physical difference is exploited and exaggerated to become a plot point and visual metaphor for villains" ----- "The British Film Institute (BFI) was the first organisation to sign up and has committed to stop funding films that feature negative representations depicted through scars or facial differences – a step in the right direction."
Oct 5th 2021
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Sep 16th 2021
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Sep 14th 2021
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Sep 12th 2021
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Sep 5th 2021
EXTRACT: "Gardens help restore the ability to concentrate on demanding tasks, providing the perfect space for a break when working from home in a pandemic. Natural things – such as trees, plants and water – are particularly easy on the eye and demand little mental effort to look at. Simply sitting in a garden is therefore relaxing and beneficial to mental wellbeing."
Aug 17th 2021
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Aug 10th 2021
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Aug 3rd 2021
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Jul 31st 2021
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Jul 22nd 2021
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Jul 20th 2021
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Jul 20th 2021
EXTRACT: "Ellison was an abstract expressionist painter, who, having come to New York City from West Texas in 1962, was as he said “unable to find traction” as a painter. At the same time, he began collecting ceramic objects and educating himself about this field of art as he went along. In 2009 he bestowed on the Metropolitan Museum of Art over 300 extraordinary examples of American ceramics, spanning the years 1876 through 1956. Since then, Ellison has gifted to the Museum over 600 works – including a significant collection of European art pottery in 2013, and most recently over 125 modern and contemporary clay vessels and objects – making the Museum one of the most significant repositories of Art Pottery in the world. ---- The current exhibition presents nearly 80 pieces drawn from Ellison’s latest donation, and it is a thoroughly captivating show; even where (or perhaps especially where) the works are outlandish, bizarre, sometimes almost monstrous, but nonetheless enthralling."
Jul 11th 2021
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Jun 30th 2021
EXTRACT: "New York’s Museum of Modern Art is currently presenting an exhibition devoted to an in-depth review of Paul Cézanne’s drawings. If there is any criticism to be made of this extraordinary show, it is that it is frankly overwhelming: with roughly 280 pencil, ink and gouache drawings and watercolors (and even a handful of oil paintings), there is so much to take in that two or three visits to the exhibition may be required to do it justice."
Jun 25th 2021
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Jun 17th 2021
EXTRACT: "Confronting our complex history and ultimately embracing a more equitable, balanced, and humble culture may be a tall order in these fractious times. But that makes it even more imperative that we fully reckon with who we are and who we are capable of becoming."
Jun 11th 2021
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Jun 10th 2021
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